Rebecca Wests The Return of the Soldier and Virginia Woolfs Jacobs R

Rebecca Wests The Return of the Soldier and Virginia Woolfs Jacobs Room Rebecca West and Virginia Woolf give massive significance to the families of their respective main slips in The Return of the Soldier and Jacobs Room because it gives the reader a greater insight to the formation of and abstract thought for both Chris and Jacobs nature. Each of these components experience multiple families to deal with Chris has potbelly and Jenny on the one hand, and Margaret on the other, while Jacob deals with his mother and companion as well as his connections to society and academia. The distinctions between each characters multiple families cause them to behave differently in unlike situations, and provide reasons for their actions. It is said that we are shaped by our surroundings and form by our families, and Woolf and Wests male protagonists prove to be no exception to this rule. The opening scene of Jacobs Room depicts Mrs. Flanders and Archer meddlesome for a young Jaco b along the beach, already showing that the titular character is detached and separate from those around him. Instead of walking with his mother and familiar on the shore, Jacob is more interested in the escapades of a crab in a tidal pool, an early indication of his future pursuit of fellowship and his penchant for isolation. Aside from this first mention, Jacobs biological family is mentioned very seldom throughout the remainder of the novel, as Woolf focuses on his social and academic family instead. However, Jacobs tendency to distance himself from many of his friends probably stems from the slightly distracted mien of his mother, who seems to love and care for him but at the same time is scatter-brained and reasonably unaware of her surroundings. Jacob i... ...e complete without the care and heartache handed them by the families they shape up and lose throughout the courses of their short lives. Woolf states it perfectly, realizing that life is but a wage increase of sha dows, and God knows why it is that we embrace them so eagerly, and see them depart with much(prenominal) anguish, being shadows... Such is the manner of our seeing. Such the conditions of our love (Woolf, 96). Jacob is only part loved and cared for by his mother, and therefore carries this half-affection into his social interactions, eventually regretting the supremely forgiving act of falling in love. Likewise, Chris is two completely different slew between Margaret and Kitty loving and content with Margaret, once he is returned to world he becomes one of the brittle beautiful things that Kitty so loves to have in her presence, a mere shadow of his soul (West, 6).